- Prakash Kedar
SHOOT WIDER | SHOOT CLOSER

Too lots of wildlife photographers get fixated about what I call that the"focal length debacle", at which it turns into an
obsession to possess the longest/biggest lens possible. I know that this really can be location-dependant while you may desire
significantly greater than 600mm just to find any shot whatsoever in some wide open spaces, however, the difficulty that I want to
tackle is significantly related to our obsession to get as long as you can to the creatures and isolate them entirely out of their
own environment. The outcome is frequently an image that resembles it might possibly be shot having no thought of how the
surroundings in which it finds it self and a eloquent background, of a captive subject at a place. Challenge yourself to take to
give the audience a much better idea of where the image was taken by you and wherever your theme has to split a living in the
uncontrolled. It is applicable to any species you picture -- to this elephant by your shrub into the bull. The elephant under was
photographed with a wide-angle lens and also a filter to take advantage of skies and the clouds and to offer you a sense of the
surroundings. The other hand to capturing wider is -- you guessed it -- shooting nearer...and I mean genuinely CLOSER. Get
inyourface close (by going your posture by shifting successful focal point by using a lengthier lens with optional tele-converter)
to produce distinct and interesting studies of this animals/birds you picture. This will even enable you to consider in terms of
abstract compositional arrangements